Amelia and Tess were married in 2016, before Tess’ transition. Since their wedding, Tess has come out as bi-gender, sometimes having days when they identify as male, but others when they’re female. The couple wanted to celebrate Tess joining their family, so with the help of daughter Ivy they had a gothic styled, handfasting vow renewal in the same place they were originally married, Whistlewood Common in Derbyshire.
“Tess falls under the trans umbrella and is bi-gender – switching between two different genders, can be binary and/or non-binary genders”, they explained. “They switch between the two binary genders of male and female. Tess found the term to explain how they feel and has since been ‘out’ for a year and a half.”
The day had a gothic, pagan vibe and the woodland location set the tone for a lot of their stylistic choices. The day felt very ‘them’ but also complimented the surroundings perfectly. “We wanted to update our vows and wedding photos to include Tess”, they continued, “to have a visual representation of how our family is now. Amelia is Pagan and wanted to keep some of our original woodsy themes but with a darker, older feel. Amelia performed the ceremony herself, incorporating parts of our original wedding. Ivy played a bigger role with her being old enough to want to join in with the handfasting this time around.”
Living in Australia, Saskia and Sean met through the emerging alternative music scene in Melbourne in 1982. Sean was in a band, EDEN, and travelled a lot so they lost touch over the years but reconnected in 2016 when he was on tour for his sixth album. They were married in Glastonbury, UK, which they chose for it’s obvious connection to music and Paganism.
“We met again at the end of 2016 when Sean tracked me down”, Saskia explained. “We met a few weeks later, fell madly in love, were engaged the following year and married the year after. Nothing has changed – we were best friends then and remain so. We were destined to be together.”
The inspiration for their wedding was obvious: Their own lifestyle. “In Australia, we live in a small romantic Cornish miner’s cottage built in 1863 in the heart of the Victorian goldfields”, she said. “The cottage backs onto a steep hill with a gold reef running through it. This is what we fondly call our ‘Tor’ and was the setting for Sean’s proposal. Having both visited Glastonbury in the past, the temptation to exchange vows at the Glastonbury Tor seemed logical and destined. Arthurian legend and the history and mysticism surrounding Glastonbury have been a key inspiration for Sean’s music over the years. Our clothes were inspired by the gothic alternative scene we are a part of in Melbourne and the music scene that has been a part of our lives since we met in the eighties.”
Morgane and Phil had known each other for ten years, and had worked together, when out of the blue love hit Morgane straight in the heart. “One evening, I finally saw it!” she said, and she knew they would never be apart from that moment.
“The marriage proposal arrived a few years later, after the arrival of our Princess Tabatha. It was my birthday, and we’d had a great day at Europa Park, a big amusement park where we like to go often, but in the evening there was still no birthday present from my darling… So I told him I was a little disappointed, saying ‘I didn’t get my present…’ and he said to me softly ‘If you look on your bedside table…’ It was a ring! He’d been trying to ask all day, but hadn’t had the opportunity while we were on the rides! I said to him ‘Go ask for real!’ And I got my ‘Will you marry me?’ at last.”