Sometime late last year I got an email from Kat asking if I wanted to go to Paris to do a shoot with her, Gala & Shauna. My answer was of course an enthusiastic “Oui ma Petit Filous!!” They’d bagged themselves a fabulous apartment that we shot in, but of course I also wanted some photos by the Eiffel Tower. On the Eurostar on our return, I got to thinking about the tower and its purpose in the city. Sure, it’s a big tourist pull, but I started to wonder how on earth it got built in the first place and why it’s even there at all. So I did some research on the most recognisable iconic landmark in the French capital.
Paris is a beautiful city with plenty of amazing architecture, lots of culture and umpteen things to do but before the tower was built, many of its citizens were moving away and tourists were not exactly flocking there. Commissioned for the Exposition Universelle, a world fair held in Paris in 1889, Monsieur Eiffel’s brief was to create a temporary structure to mark the entrance to the fair. Despite facing much criticism, he seized the opportunity and designed the tallest structure in the world at that time. Once completed, visitors to Paris raved about the innovative lattice tower, left armed with their photographs and talked non-stop of going up in the amazing lifts or dining in its fine restaurant with amazing views. Suddenly the fortune of Paris had improved and these visitors were filling up the hotels and cafes. People rapidly moved back to Paris and it was suddenly one of the most exciting and most visited capital cities in the world. So much so that the decision was made to never take it down, and to this day no trip to the city of love is complete without a visit.
I hope that all the days in your business are happy ones – challenging but happy. Yet, the reality is that they won’t always be. I’m not here to rain on your parade, or hold a pessimist pity party so early on in the life of your sparkly new business. But, the biggest issue that you will face with any new endeavour is how to keep the positivity going once the ‘newness’ has gone.
All things with the prefix ‘new’ are pretty great. New year, new car, new job, new house, new shoes, new friends, new clothes… that word always signals shiny iridescent hopes and glitter spangled dreams; and the chance for things to be different. But the fact remains that eventually the time comes when these things are no longer new entities or new experiences that delight you with their everyday twists and turns. Even with the work we love the most, the banal will soon start to set in and with that comes the onset – that classic curse that affects all businesses – the ‘I want to plan something new’ syndrome.
The thing about me is that I love what I do, until I don’t. Part of the curse (if you will) of having a creative mind that has to draw up ideas and solutions to client problems on a daily basis, is that every now and again I have some new crazy, mad fangled idea for my own business and I want to run with it! It probably happens to be every week – actually scratch that – every day. From complete career changes, to inspiration for projects, to insane new business plans; I have a graveyard of urls, half started tumblr blogs, and notebooks filled with scrawls and scribbles which support this brain baby overload.
There are obvious fashions in weddings just like with clothing, interiors, food and just about everything we consume. However if you want to maintain any kind of longevity in the industry is it wrong to appear to be too much of a particular trend?
I actually get asked about this quite a lot as I guess it could be perceived that I am part of the fashion for vintage toning on wedding images. Ironically, this toning is something that I started doing when I switched from shooting weddings on film to digital a couple of years ago. I have always tweaked the colour on my images, whether it was toning black & white prints or cross processing print film in the chemicals for slide film and vice versa. I like to find out how things work and then mess with them. In the 90s I worked for the experimental Blah Blah Blah magazine and the art director, Chris Ashworth, used to always prefer the images that would normally get binned. He liked to to push the boundaries of everything. At the time, I was simultaneously working for a number of teenage pop magazines so it was utterly liberating to be able to do something creative and definitely my favourite magazine to work for.
So I guess it was inevitable that when I finally embraced digital technology for shooting weddings, I would start to seek ways of messing with the colours again. I have always been passionate about old photographs and all they represent in our social history, so if Photoshop was going to give me the ability to experiment, then I was going to! I looked for ways to recreate those faded tones that old colour images have. At the same time the kinds of wedding dresses and decor items that were gaining popularity we’re also very vintage, and so suddenly it was a ‘thing’.