Colin & Sage were married by Elvis. But this wasn’t a shotgun or tacky Vegas wedding, oh no, these two are pure Rock n Roll!
“We take our anniversaries very seriously,” Colin wrote. “When I proposed on our 9 year anniversary, I already had every intention of getting married the day of our 10 year anniversary. Unfortunately, the calendar had other plans as October 3rd, 2011 fell on a Monday. Speaking with our bridal party, we were coming to find out we were going to be fairly inconvenient to keep that date. Finally, we agreed to move the wedding to another date, but only if we still got legally married on October 3rd.”
“We originally planned on just marching down to the courthouse but where’s the fun in that? We decided to look for a cheap little chapel and hit the jackpot when we stumbled across Rhinestone Wedding Chapel on Music Row. It was exactly what we were looking for and – What!? An Elvis impersonator at no additional charge? Sign me up! Once we knew we were being married by Elvis, every other decision was obvious. We needed to match the decor with some 50’s inspired duds.”
Sage wore a yellow dress by Steppin’ Out at Marshalls. “The whole day was just so much fun,” concluded the bride. “I spent the entire day laughing and feeling lucky. I have been through a few weddings and watch a lot of bridal shows and all I can say is I wish every bride had it as easy as I did that day.”
“Having a personal wedding without the big crowd was extremely liberating. Since we knew we were going to have a more traditional wedding a week later for the rest of our friends and family, we knew we could do whatever we wanted without worrying about accommodating anyone but ourselves.”
This beautiful shoot was set up by headpiece designer Natasha Jane to promote her amazing ‘Lola the Bird’ headpiece (I’ve seen it in real life and it is an amazing piece, I’d love to see a real Rock n Roll Bride wearing it!)
The shoot took place at the UK’s oldest cinema, Birmingham’s Electric Cinema, which has been open for over 100 years. The art deco cinema is even available to hire for weddings so it really was the perfect venue to show off this new wedding collection.
Sean & Deb’s masked ball wedding took place at the beginning on November at Brownsover Hall Hotel, Brownsover, Rugby. “We stumbled on the venue by accident after previously reserving two other venues”, the bride told me. “We were on our way up to my parents for christmas and made a detour to see the hall – it was amazing! Gothic, yet romantic. We fell in love with it as soon as we saw the giant Elk’s skull in the entrance hall!”
The venue fitted their wedding theme perfectly – slightly gothic and masqueradey (I’m pretty sure I just made up that word) with a 1920’s/30’s vibe.
“We were never going to have a conventional wedding – it’s just not us,” Debs continued. “Our original idea was to have a viking themed wedding, but we knew that we would have to agree on something that guests would be happy to take part in (and I really couldn’t see my Dad wearing leather and horns to walk me down the aisle!) I am obsessed with the 20’s/30’s/40’s, I think I must have been a wartime wife in a past life so when Sean presented me with my 1920’s engagement ring everything just seem to slot perfectly into place.”
“The 20’s and 30’s were so glamourous, it would give guests the perfect opportunity to dress up without feeling uncomfortable. We decided it would be like a country house party with a touch of romantic gothic…and then we decided we wanted to make it mysterious so added the masked ball element to the day and night. We just had to have the ceremony in masks! One of the best men did phone up one night though and said he had been thinking and the wedding would be like the upper deck of the Titanic in the day, and the lower deck in the evening….he wasn’t far wrong!”
Asking the guests to dress to fit their theme was something the couple thought long and hard about as they knew it would make their wedding really special. “I know some guests found it difficult knowing what to wear, so after a conversation with Sean’s Mum stating his gran was coming dressed as a goth, I knew I had to try and help those who were struggling,” Debs laughed. “I did my own blog, updating it everyday for the three weeks running up to the wedding, suggesting outfits, accessories, make up and inspirations. It worked! The wedding wouldn’t have been half as good without all the effort our guests made with their outfits. When I walked down the aisle and everyone had their masks on I was awestruck, and after the ceremony, when we were greeted by all our guests I turned to Sean and said ‘It really does look like a 1920’s houseparty…the guests look incredible’.”
Debs wore a dress made for her by Liliia. Having a custom made gown really doesn’t have to be an expensive option is you do your research. After the ceremony the bride crowd-surfed over the guests (in her full wedding attire) which certainly made for some much more Rock n Roll photographs than the traditional confetti shot!
Despite the opulent outcome, the wedding cost the couple less than £6000. “So much of our wedding was DIY as we wanted to put our stamp on it as much as possible. We are quite quirky and artistic so we did have loads of fun dying tags with tea bags, making button holes with feathers, drying out rose petals for months on end…plus we got to spend lots of time in antique shops, vintage stores and car boots which is a favourite past time! I would warn DIY brides that handmaking everything is very time consuming, but worth every second! I think another important factor is the venue. Be aware of your budget and barter! Also, we wanted a venue that looked authentic throughout so we wouldn’t have to spend too much on decorating the place.”
“We knew we wanted 20/30’s events for the table names so I decided to do a little explaination as well so guests knew how they were relevant to the wedding. The keys and luggage name tags added a touch of gothic to the tables. We made the confetti cones out of stained music sheets and we dried all the rose petals ourselves (donated by friends and family throughout the summer!)”
I adore this couple and this wedding don’t you? I’m so excited to share it with you today so thank you to the amazing Sassy of Assassynation for sending over her photos this week. Of Sassy, the bride said, “I found Sassy by accident on a bridal chat room and from the moment I met her I knew she was the photographer for us. She was totally on our wave length and we booked her even before we had found a venue and named a date! I would truthfully have chosen a wedding date based on Sassy’s availability as we were so confident she was the photographer for us!”
They also had Frank of Sassy ‘n’ Frank on board to shoot their fabulous wedding video…
Philip & Katie-Jane had a handmade wedding in the bride’s parent’s back garden. They hired a tipi and decorated the whole garden with the things they love – creating a really magical looking space. They even converted the shed into ‘The Poppy Red Shed’ (Poppy Red is a bar in Birmingham which the bride and groom first met) which they stocked with local ales, spirits and liquours.
“With the bride being in fashion (Senior footwear designer for KG for Kurt Geiger) it was always going to be different kind of wedding,” the couple told me. “We wanted to make sure there was less formality and more personality. Using personal inspiration and the bride’s vision we focused on what the guests would experience and how that would make us feel. The sun came out as soon as the wedding couple stepped into the garden and the day just got better and better.”
There were so many DIY elements of this wedding, as the couple continued to explain, “All the invites were handmade, handkerchiefs stamped with the details wrapped in a doilie posted with a portrait stamp of the bride and groom. We also made the teacup chandelier hovering over the top table. The cake table was brought together by several guests bringing their own cakes to share although the main wedding cake nearly got eaten before it had even been cut!”
“The bride made all the ‘winecup’ favours herself, a wineglass stem with a teacup on top. The women guests (and some men) were in awe and the race was on to ensure they all got to take one home. The pewter tankards were a massive success, again collected from car boots, family and friends. It took the men about 10 minutes to get them and that was it for the rest of the night. We had a flipcam passed round the tables and it was one of the happiest hours ever after the wedding watching all the guests enjoying the food, drink and each other.”
Katie-Jane wore two dresses – the first by Vera Wang and the second, a vintage gown from Hope & Harlequin in Brighton. She also wore Miu Miu shoes and vintage jewellery.
Scarlet & Craig’s wedding wowed me as soon as I spied that dress. I was so excited to be able to share this incredible Goth extravaganza and luckily for you lot, so were the newlyweds. In fact Craig’s reply when I emailed him back saying ‘Yes yes, hell yes (ps your wife is hot)’ was something along the lines of ‘OMG so excited that you’re going to feature us!!! Squeeee’.
“I’d never really thought about my wedding day growing up, so when Craig proposed on a trip to Amsterdam (with a tattoo that simply said ‘Marry Me’ on his wrists!) I was thrown into a bit of a panic!” Scarlet explained. “But as soon as we started planning we knew we wanted to do things our own way. Luckily we found Rock n Roll Bride, which made us realise there really are no ‘rules’ for a wedding, and then we just went all out! We didn’t start out with one, but as we went along we developed a kind of pink and black gothic fairytale theme, pink being my favourite colour, and black being Craig’s!”
“We didn’t have a huge budget, and didn’t want to waste money on things that people ‘expect’ to have at weddings which arent really necessary (for us, flowers were one of these things!) It took some convincing my parents that the bridesmaids would look great in £35 high street dresses and Primark shoes, and that the best men didn’t need buttonholes! Wherever possible we enlisted the help of friends and family, from the dress to the cake to the reception decor and catering. I’m a make up artist so I did my own hair and makeup, and I let the bridesmaids have free reign with their looks as I didn’t want them to look to ‘matchy’.”
As I said above, Scarlet’s dress was what really caught my attention when I first saw this wedding…and it turns out I wasn’t the only one! “The theme for the wedding really revolved around my dress, which was designed and handmade by the amazingly talented Kim Denman,” the bride continued. “I knew straight away that I would never find anything in a bridal dress shop, so didn’t even bother looking! Kim is a family friend who is based in LA, but also has a house in Hastings. I approached her about making the dress, and after an initial brain storming session, we decided on a kind of 50’s underwear themed colour scheme of dusty pink and black, with plenty of feathers, beads, and netting thrown in! Oh, and a massive stuffed pink bow on the back! I travelled to Hastings several times for fittings, but unfortunately didn’t get to accompany the dress on it’s trips to LA and back! Several times during the fitting process I wondered whether I’d taken it too far (my Mum was particulaly against the idea of a black dress) but in the end everyone loved it, even our most conservative guests and (suprisingly) our Vicar!”
After a ceremony at St Mary’s Church, the reception as held at The Suffolk Barn. “We instantly loved the idea of having the reception in a barn, and wanted a venue where we could create exactly what we wanted. Luckily we found the amazing 14th Century Suffolk Barn in Hawstead. The owner only allows a handful of events to be held there each year, and it has pretty much been left with all its original features, meaning it was a blank canvas for our ideas. My Dad is a production designer for film and TV, and without him, we could never have created anything so magical as our reception decor. From the fairy lit trees guiding the way to the entrance, to the handmade globes of foliage and pink ribbon hanging from the ceiling, to the enormous gilt frame that made our stage look absolutely surreal, he worked so hard (along with my brother and cousins) to make the venue look like something from a fairytale! The colour theme from my dress popped up everywhere: the beautiful cake made by my extremely talented cousin Maddie even had the lace design from the dress incorporated into it.”
Today’s tutorial isn’t one you might expect to be wedding related and it’s certainly not one that everyone’s going to want to try and create, but I just loved Kat Cameron‘s owls so much I had to share! I don’t know about you, but these really made me smile.
My whole wedding was owl themed. It all started when I drew two owls on a tandem bike for our wedding invites. I’m a bit of a bird geek and the owl theme continued and appeared as labels on wine as well as a limited edition print for each guest. My wedding was tiny with only 22 people, and we had a fantastic time in at the game reserve for 3 days of natural heaven.
2 types of metal wire -1 thin and flexible, the other thicker but also flexible
1 pair of pliers
Small coloured beads of your choosing (make sure they can be threaded onto the thin wire)
Newsprint or tissue paper
Step 1: Start by forming the outline shape of the owl, and joining the two ends of the wire by twisting a length of thin wire around both, securing them together.
Step 2: Attach a wire circle to the owl form, creating a 3 dimensional body and head. The number of “wire body circles” depends on the height of your owl. For mine, which was small, I created three.
Secure each ring to the owl frame with the thin bendy wire. Create “supports” by linking up the circles with other pieces of wire that run vertically, from the head down. You can create as many circles and supports as you like, the more you have, the more sturdy your owl will be. You can see in the larger owls made for my wedding that the body form had more wire structuring.
Step 3: Create the eyes by spiralling the ends of a length of wire and attaching it across the front of the owl’s face.