Born and raised in Austin, Texas, Felicia & Ariel wanted to plan a wedding with a nod to their heritage as well as the place they grew up. The wedding was held at The Center for Maximum Potential Building Systems, a non-profit education and research organisation, owned by the groom’s parents. “As born and raised Austinites and the children of hippies, we knew from the get-go that we didn’t want to have the ‘usual’ wedding,” began Felicia. “Ariel and I both love being in nature and so it seemed like a easy choice to have the wedding at the site of his family’s home and non-profit organization. We wanted the wedding to have a lot of color and reflect our passions and cultures. I’m Mexican-American and loved the idea of embroidered Mexican dresses for my bridesmaids, delicate papel picado banners, and bright paper flowers.”
“The funky architecture and homages on the property also added a lot of unique touches. We loved that our wedding was truly a family affair – from the location to the favors and the cupcakes, both our families were very involved. My mother is an artist and designed the invitations and streamers and my father, a musician, asked some of his bandmates to play during the cocktail hour. Our friends and family also had the choice of dancing or playing volleyball right next to the stage.”
The 1970s is an era we’re starting to see represented a lot more in the wedding industry. For a while it was avoided, with the 50s and 60s being the most popular decades for brides to emulate on their big days. However I’m thrilled that the tides are a-changing, especially when this resurgence in popularity lands pretty inspiration like this on my desk!
The shoot took place at Mercury Hall, Austin and was set up by photographer Jessica Monnich. “Mercury Hall was the perfect backdrop for this particular shoot as it is a gorgeous white cottage (on the inside and out) with colorful stained glass windows,” she wrote. “I have seen this space transformed in many different ways and I thought it would be perfect for our needs as the layout and design is simple.”
The bride wore a dress which Jessica bought on etsy and customised herself. “I dyed the dress with an ombre effect to give it a little bit of a modern hippie look. Our model created the beautiful feather earrings as well. The jewelry was borrowed from my Mom’s jewelry box and were authentic 70s pieces. The shoes she wore for most of the shoot were from Forever21 so nothing was super expensive but her foot tattoo really helped these shoes pop.”
“We really strived to create a ‘Peace, Love and Marriage’ feel throughout the shoot,” Jessica concluded. “Visual Lyrics created some amazing florals for us that had a ‘fresh picked out of the garden’ feel to them mixing high end flowers with typical 70s flowers like baby’s breath. The same owners of Visual Lyrics also started a new vintage rental company called Vintques so they brought all the beautiful couches, chairs and table and set up a table scape that complimented our theme perfectly.”
“They created a lounge scene outside that would be perfect for guests to wander to if they were all danced out. They also set up hookahs out there where guests use while lounging outside.”
Emily & George’s rustic autumnal wedding was sent to me by Carina and Nadine of Love Me Do Photography and I simply fell in love with all the personal touches.
The bride wore two dresses, the first, her Mother’s wedding dress from 1977, and the second, a vintage-inspired short number by Avioanni. She also wore vintage jewellery. “The necklace I wore in the church was the same one that my Mom wore on her wedding and it was my Great Grandmother’s (my Mom’s Grandmother),” the bride wrote. “The earrings I wore in the church were the ones my Grandmother (my Dad’s Mom) wore on her wedding and were given to her by my Grandfather. That was an amazing discovery. The jewelry I wore at the reception was also my Grandmothers but a little more modern looking. My aunt, Kathy, was amazing and loaned me most of the jewelry and told me some great stories along the way.”
The reception was held at Front and Palmer, Philadelphia. “We loved Front and Palmer from the beginning,” explained Emily. “We loved that it was a converted barrel factory and that the catering was part of the venue. We really liked the chandeliers, the wood floor, and the staff was just amazing!”
Instead of real flowers the couple opted for the paper variety. They bought them from Flowers from the Garden and loved the fact that they could keep them after the wedding. They also DIY’ed what they could with the help of friends and family.
“Amanda (of Love Me Do Photography) and my brother, John, made the candle centerpieces and did all the decor for the reception. John also made the card box – not just any card box, but a scale model of our house! Amanda also made the glitter backdrop for the photo booth. We bought the glitter in bulk from Southern Importers and used about 9 pounds of it!”
**Warning before we begin, some of these photos may not be safe for work, so don’t say I didn’t warn you. There are boobs…nice boobs…but boobs none the less…**
Most of you will have noticed that I don’t feature a whole load of boudoir on Rock n Roll Bride. It’s not that I don’t like it, but I guess my opinion is the same as that on engagement shoots – the photos are amazing for the people involved (show me a man who wouldn’t want to see his bride to be all sexified-up for him pre-wedding?) but for us non-involved people, once you’ve see one hot lady in sexy undies jumping around on a bed you’ve seen ‘em all…
Which is why I was chuffed to bits to receive Casey’s boudoir shoot from photographer Nikita Gross recently. Something a bit different and hella hella sexy hurrah!
The inspiration for the shoot was “a crazy, psychedelic, Rock n Roll, fantasy dream,” explained Nikita. “Inspired by 60′s and 70′s music and the feel of old album covers, I wanted this shoot to be wild and hot. Casey was so awesome! She got my vision completely and dug out some amazing pieces from her own wardrobe…. the smoke is actually from left over smoke bombs I had from Independence day.”
“We started the day out in my car jamming The Doors which inspired a heated discussion about how hot Jim Morrison was. After about a 20 minute ride we arrived at the location I picked out for the shoot, a field of wild flowers in KY, my favorite place to be. Here we were, on a long gravel road in the middle of nowhere, clothes and cameras everywhere, Casey half naked and here come the police! You should have seen the look on their faces, priceless. Thanks to Casey’s power of seduction they were super cool about letting us stay and shoot. How could they say no, right?”
I fell head over heels in love with Alex & Sally as soon as I laid my peepers on Sally’s Ossie Clark-inspired wedding dress. She had it made especially for her by local dressmaker Barbara F Pellumbi.
And just like the dress, the entire wedding was a unique and eclectic representation of the couple. Sally explains, “We were going to go for a Miss Saigon feel meets a tattoo-esque style but in the end it was anything that looked pretty or hard!”
“Birds became a bit of a motif, featuring on the invites, cake and place names. We even had a lovely little stuffed bird in a cage which is where the table places were hung. We were keen to make the club (The Islington Metalworks) looked relaxed, in one area we tried to create an old skool 70’s living room complete with Hilda Ogden flying birds on the wall.”
The lucky couple have a number of very talented friends who they called on to help out in various areas of the wedding. For example the stationery was all designed by a friend, Heather, who runs her own card design company called Homeloves. Their friend Lara helped them to source all the table decorations and another friend Georgina, who is an artist, lent them a number of her own paintings to decorate the venue.