Is Your Business Future Proof? Cyndi Vs Madonna…

March 13, 2012 in Green Room | Written by

In 1983 Cyndi Lauper released her debut single, “Girls Just Wanna Have Fun!” while Madonna’s “Holiday” was the first of her records to really make an impact on the Billboard charts. They dominated the airwaves. Rumours of fueds and mutual distaste behind the scenes raged but they both received equal amounts of success. Their catchy pop tracks and punk inspired looks influenced a generation of girls who crimped their hair and danced around their bedrooms with hairbrush microphones. Whether they liked it (or each other) or not both Cyndi and Madonna were changing the face of a generation.

In the 80s the girls looked quite similar…

Fast forward to 2012 and where are they now? In a nutshell, Madonna is still a global superstar…in fact the global superstar. She’s just written and directed her first feature film, W.E. She’s also about to release her 12th studio album, MDNA, this month and her mammoth world arena tour starts in July. Her appearance on The Graham Norton show (UK) in January drew in a remarkable 4.2 million viewers (over a million more than the show usually records) and her performance at the 2012 Superbowl was watched by an estimated 1 billion viewers across over 200 countries.

…But today they couldnt be more different

Forgive me but while Cyndi looks like the lovechild of Christina Aguilera and the 80s gone wrong Madonna is effervescent, modern and doesn’t look anywhere near her 53 years.

So what’s happened? Why has Madonna stood the test of time while Cyndi hasn’t? The universally accepted theory is that Madonna has moved with the times and has been the ever changing chameleon whereas poor Cyndi appears to be trying to cling onto that 80s glory. Cyndi hasn’t allowed herself to move on and so she’s been left behind.

This is an idea I think about often. I am acutely aware that although the pink haired mouthy blogger thing is rocking my world right now, it probably won’t last forever. Can I really be 50 and still doing things exactly the way I am now? Christ, I hope not! I want my business to naturally grow and progress.

So, how can we make ourselves and our business a little more like Madonna and a whole lot less like Cyndi Lauper?

Diversify your business & don’t put all your eggs in one basket

It is so important to never ever rest on your laurels or allow yourself to think that you’ve ‘made it’. This is a sure fire way to get left behind. You need to be always thinking about your next move and what you can do to improve and grow.

Taking wedding blogging as an example, it seems to me that advertising is currently the biggest way that bloggers make money. However will this last forever? Will people still want to be advertising on blogs in 5, 10, 20 years? They may do but they may not! We all know magazine advertising is falling out of favour, so it stands to reason that this may well happen with blogs someday too. If, as a blogger, I was only making money through the adverts on my site I’d be a little bit nervous.

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The Art of Second Shooting

March 9, 2012 in Green Room, Guest Posts | Written by

So you want to be a wedding photographer but what is the best way to get started? Second shooting for an already successful photographer is one of the best ways to fast track you in the right direction. You can see how someone else does it, learn on your feet and make industry contacts. But how do you get the gig in the first place and how can you make the best of the opportunity for both you and the main photographer?

Finding second photographer jobs

Most photographers will be flattered that you know who they are and that you get in touch. Target the ones whose work you like the best that feature on your favourite blogs or wedding magazines. However be aware that the more well known they are the more likely that they will have regular second shooters. Some, like Marianne Taylor use the same photographer each time. I work with a small team but they are all wedding photographers in their own right. Gaps do arise, especially in the height of the summer season.

When you make initial contact, please don’t just send a generic email to a few people. Busy photographers have busy inboxes and if you can’t be bothered to put my name on an email then sorry but I won’t take the time to reply. Do attach a link to your work and a CV or BRIEF biography but don’t send dozens of files that will take time to download. Unless you get a complete no, then its good to follow that email up with a brief phone call. I get several emails a week asking for work so how does someone stand out? Personal contact goes a long way and I appreciate that it takes guts to pick up the phone. I have been in that position as have most people who are perceived as successful.

When I was trying to get assisting work with music photographers I was aware that so were several others so I phoned and asked if I could pop along to their studio for a cup of tea and a chat. This approach soon secured me work experience and then assisting with some of the best music photographers around. Within months I was getting second photographer work, shooting major recording artists and building my own portfolio with images of celebrities that i simply wouldn’t get anywhere near at my level. Similarly Jayne who now works with me, made initial contact by phone and asked if she could meet me for a coffee. Us photographers spend a lot of week time at our desks and I for one am usually quite happy to get out every now and then. When I do have work opportunities, I will always go to the people I know first. Avoid phoning first thing on a Monday or last thing on a Friday as these are times when someone has just got to their desk or just wants to get away.

Make sure you follow lots of photographers on twitter and Facebook or forums as this is where the jobs will come up. Last August all my second shooters were booked out so I put a shout out on my business Facebook page to fill dates. One of the girls that came forward was a great second shooter and I felt like we worked together really well so she is now shooting with me regularly while developing her own work.

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The Inspirations: Jonas Peterson

March 7, 2012 in Green Room | Written by

The man himself

Jonas Peterson is a wedding photographer, originally from Sweden but now living in Brisbane Australia. I first became aware of his work back in 2009 when he exploded onto the wedding scene with a photographic style so daringly different and beautiful that people couldn’t help but stop and take notice.

Since then I’ve been lucky enough to feature his work on the pages of my blog again and again. However today I’m going one step further, peeling back the layers, peering behind that lens and talking to the man himself.

Hey Jonas, can you give us a little introduction to yourself – who you are, what you do, how you got into wedding photography and where you are in your career now?

I’m a wedding photographer based in Australia shooting a mix of international destination weddings and weddings around Australia. I left a long and successful career as a writer in advertising in late 2008 to shoot weddings, two years later I was named one of the top ten wedding photographers in the world by American Photo, the largest photography magazine in the world. It’s been a crazy journey in every way and I’m shaking my head on a daily basis. My life is amazing. Today I shoot about 50% of my work around the world, the rest all around Australia. Only 15% of my weddings are shot locally. I also teach workshops, the latest one was in Cape Town two weeks ago.

You used Flickr to share your images and talk to other wedding photographers (through the forum SWPB) a lot during the early part of your career. Do you feel this helped progress your career in any way and would you recommend people join forums/share their work in a similar fashion?

I still do. It’s a great way to connect with other photographers. Today’s world is so connected, we make virtual friends all the time and I’ve “used” that to my advantage. If we live in a world where word of mouth is everything, I need people to talk about me and my work. Common sense.

You must get a lot of emails from aspiring photographers wanting your help or advice. How do you deal with this and do you have time to respond?

Good question. I do get a lot of emails from other photographers and unfortunately I don’t have time to answer them all. These days I direct them to a site I have set up where I have answered over 3000 questions about my photography. You’ll find it here.

You hardly ever share photos of yourself (even your profile pictures you always have your head cut off!) Was this a conscious decision?

Yes and no. It started when I started writing a blog in 2004. I’ve used that image since the day I started blogging. I was writing anonymously and I found that people connected with what I had to say. We judge people as soon as we meet them and I realised that I wanted to connect with people BEFORE we met face to face. I don’t look like the Elephant Man or anything, it was just something I noticed.

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Chasing your Target Market

March 6, 2012 in Green Room | Written by

Photography Credit: Peachey Photography

I’m asked over and over again by wedding suppliers how they can target and book alternative wedding clients – i.e. the type of readers that my blog attracts. While saying ‘stick an advert on my site’ or ‘get featured on my blog’ might be easy answers, they’re not necessarily the right ones, and simply paying a monthly fee to have your logo in front of those alternative eyes isn’t enough. It’s a good start mind you, but this action alone isn’t going to see your inbox flooded with enquiries from my readers.

The best piece of advice I could give would be to ask you to question yourself and at every turn ask yourself why. Why do you want to attract these types of clients in the first place? What is it about these kinds of people and their weddings that you like. Be specific. Only when you know the answer to these questions can you take it to the next step – the how.

It’s also vital to keep up to date with what you ideal client is doing outside of their wedding. What magazines do they read? What TV shows do they watch? Where are they shopping? What activities are they doing? Only when you know these things and question why they are doing them can you offer a product they will instinctively want.

Another important idea to think about is the one of shifting your expectations. I’m going to be brutally honest here, if you’re a middle aged guy with a penchant for camera equipment and World of Warcraft, you’re probably not going to be attracting uber cool hipster types. And that’s great! Focus on a market that works for you – maybe graphic designers, photographers, geeks, gamers. Also, ask your past clients what it was, specifically, that they liked about you and build your brand around that. It’s easy being yourself and you’re probably doing something right without even thinking about it! Wedding photographer David McNeil noted the same thing and actually completely changed his branding ideas because of what his past clients told him.

“It’s important to listen to what it actually is those clients like about you, and what they perceive your strengths are,” he advices. “For a long time I thought my couples were booking me because of my edgy portraiture style.  However, when I actually listened to what images they liked, and read their feedback emails I realised that what they really liked was the informality, the laid back approach, and the natural moments of laughter I captured.  So I scrapped a radical re-design of my website that was black, neon and angular and went for a warm, rustic, natural feel instead.  My couples are now not expecting Mr Cool Dude, but Mr Chilled Out – and that’s what they see when they meet me  – it’s the real me and that’s so much easier to portray than a fake, polished version of myself!”

Photography Credit: David McNeil Photography (full wedding here)

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To Watermark or Not to Watermark, That is the Question…

March 2, 2012 in Green Room | Written by

Photography Credit: David McNeil Photography

Whether or not to watermark or add a credit line to images published online is always a touchy subject because everyone seems to have a very strong opinion on the matter (as I’ve learnt when researching this article!) It is an issue I have wanted to address for some time and finally feel that, after various discussions with bloggers and photographers alike, I am finally in a position where I am comfortable to open up this debate.

To lay my own opinion out from the beginning – as a blogger, I prefer to see and feature non-watermarked images. However tastefully integrated the watermark or logo may be, my opinion boils down to the fact that the image was not originally conceived with it included, and that therefore the whole concept is compromised by the addition. My job as a wedding blogger is to share inspirational weddings with future brides and to help the photographers I feature get bookings from these brides. In order for me to do both these jobs, I want the images I share to look their best.

This opinion was echoed by all of the wedding bloggers I chatted to. “We feel that watermarks distract from the overall look and feel of an image,” agree The Wedding Chicks, one of the largest wedding blogs in the US. “When we put a featured wedding together, we want all of the images to flow and look cohesive without having the distraction of watermarks.” However this is most definitely not a straightforward cut and dried issue, especially when you get into discussions about ownership, copyright and proper image use online. We work in a visual medium, and whilst I respect and understand an artist’s right to protect their work and their copyright, I am of the opinion that fundamentally images with watermarks are less attractive. I am a publisher, an editor of my own online magazine, and just as a print magazine would not publish images with watermarks on, so I have rejected images where the watermarks distract from the overall impact of the image.

Unlike traditional print media however, an online publication has the problem that the images it publishes can be copied, edited or re-published with just a few clicks of a mouse. There are therefore a large number of photographers who only allow their images to be featured online with watermarks or credit lines on them, especially those who have had their work stolen or misused in the past.

Photography Credit: Stuart Stevenson

Photographer Stuart Stevenson posted some of his images from a trip to London on his Flickr a few years ago. His work was well received and he gained a lot of praise and encouragement from the website community. However one day he discovered that some of his images had been downloaded, printed as postcards and were being sold at a tourist market in the city. “Seeing the image for sale made me sick” he told me. “To me it was a completely different ball game to having a shot re-blogged on tumblr or on someone else’s blog. It also really scared me, because my images were clearly able to be copied at 1024 pixels, and some people thought this was good enough to make prints. Also my portrait work is generally of my kids and the thought of those pictures being used anywhere else made me act quickly by downsizing everything by half, killing off the ability of users to see large views, and slapping on a watermark that takes up roughly one fifth of the image on them.”

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The Inspirations: Lara Jade

February 29, 2012 in Green Room | Written by

Photography Credit: Oscar May

I’ve admired Lara and her work for a few years now. I’m not only incredibly enthralled by her fashion photography and attitude to business (and a tough business at that!) but the fact that she found ‘fame’ so young (she started sharing her self portraits online when she was just 14!) and has achieved so much all before her 23rd birthday.

‘Woah’ indeed…

Photography Credit: Oscar May

Hey Lara, for those of my readers who might not have heard of you can you introduce yourself – who you are, what you do, your journey to where you are today?

Of course! I’m Lara Jade, a fashion and advertising photographer from England currently residing in New York City. Like many young photographers, I took an interest in photography at a very young age (fourteen, in fact) purely by realizing that every other artistic medium frustrated me! I found photography after researching other artistic communities online, and during my school exams I experimented with it for my final project and was instantly hooked! In the beginning it was for fun, I’d experiment with costumes and disguises, placing myself in front of the camera as different characters (a la Cindy Sherman!) which enabled me to hone my skills and build my confidence to work with models and bigger styling teams. 

You recently moved from England to NYC, why did you do this and do you feel the move has benefited your career? What does NYC offer that London doesn’t? do you think you’ll stay there forever?

Truthfully, I was at a point in my life where I needed a change of pace and NYC offered this. I decided on moving there after visiting for the first time in February 2010, and realized the rush of the city and new culture was what I needed to regain my inspiration in my personal and work life. After my second trip to NYC in the summer of 2010, I worked hard on the goal of moving there, and a year later I was there! I can’t say I’ll be here forever, but you can never say never! I enjoy being able to have a home base and travelling from it, and it’s great to be in a place where there are likeminded creatives and a pulsing art/photography community.

What is it about fashion photography that you love and why did you want to shoot fashion instead of any other type of photography?

When I first started photography, I was only interested in conceptualized fine-art pieces and self-portraiture – something that offered meaning and was visually impactful. However, later on in my career; after having a taste of the London scene, I realized that fashion photography could have this effect too – it wasn’t just about selling clothes, it was also about selling a meaning or lifestyle, and so I combined the two things together, and started shooting fashion stories.

To many, fashion photography will seem like the impossible dream to work in, do you have any advice for anyone that wants to pursue this path?

I am definitely not going to say it’s easy! You have to develop yourself a lot personally and visually as an artist and offer something that is instantly recognisable – style is everything, and everyone is looking for the next big thing. However, if you have a great style and no networking, you’re never going to be noticed. Fashion photographers have to have a great body of work in their portfolio, as well as great social networking skills to be able to market themselves, so this is why it’s vital to understand the photography AND fashion industry as a whole.

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